Normal People(11)



In one motion he moves his hand down from her shoulder and squeezes the flesh of her right breast, in front of everyone. Instantly she jerks away from him, pulling her dress up to her collarbone, feeling her face fill with blood. Her eyes are stinging and she feels a pain where he grabbed her. Behind her the others are laughing. She can hear them. Rachel is laughing, a high fluting noise in Marianne’s ears.

Without turning around, Marianne walks out the door, lets it slam behind her. She’s in the hallway now with the cloakroom and can’t remember whether the exit is right or left. She’s shaking all over her body. The cloakroom attendant asks if she’s alright. Marianne doesn’t know anymore how drunk she is. She walks a few steps towards a door on the left and then puts her back against the wall and starts sliding down towards a seated position on the floor. Her breast is aching where that man grabbed it. He wasn’t joking, he wanted to hurt her. She’s on the floor now hugging her knees against her chest.

Up the hall the door comes open again and Karen comes out, with Eric and Rachel and Connell following. They see Marianne on the floor and Karen runs over to her while the other three stay standing where they are, not knowing what to do maybe, or not wanting to do anything. Karen hunches down in front of Marianne and touches her hand. Marianne’s eyes are sore and she doesn’t know where to look.

Are you alright? Karen says.

I’m fine, says Marianne. I’m sorry. I think I just had too much to drink.

Leave her, says Rachel.

Here, look, it was just a bit of fun, says Eric. Pat’s actually a sound enough guy if you get to know him.

I think it was funny, says Rachel.

At this Karen snaps around and looks at them. Why are you even out here if you think it was so funny? she says. Why don’t you go and pal around with your best friend Pat? If you think it’s so funny to molest young girls?

How is Marianne young? says Eric.

We were all laughing at the time, says Rachel.

That’s not true, says Connell.

Everyone looks around at him then. Marianne looks at him. Their eyes meet.

Are you okay, are you? he says.

Oh, do you want to kiss her better? says Rachel.

His face is flushed now, and he touches a hand to his brow. Everyone is still watching him. The wall feels cold against Marianne’s back.

Rachel, he says, would you ever fuck off?

Karen and Eric exchange a look then, eyes wide, Marianne can see them. Connell never speaks or acts like this in school. In all these years she has never seen him behave at all aggressively, even when taunted. Rachel just tosses her head and walks back inside the club. The door falls shut heavily on its hinges. Connell continues rubbing his brow for a second. Karen mouths something at Eric, Marianne doesn’t know what it is. Then Connell looks at Marianne and says: Do you want to go home? I’m driving, I can drop you. She nods her head. Karen helps her up from the floor. Connell puts his hands in his pockets as if to prevent himself touching her by accident. Sorry for making a fuss, Marianne says to Karen. I feel stupid. I’m not used to drinking.

It’s not your fault, says Karen.

Thank you for being so nice, Marianne says.

They squeeze hands once more. Marianne follows Connell towards the exit then and around the side of the hotel, to where his car is parked. It’s dark and cool out here, with the sound of music from the nightclub pulsing faintly behind them. She gets in the passenger seat and puts her seatbelt on. He closes the driver’s door and puts his keys in the ignition.

Sorry for making a fuss, she says again.

You didn’t, says Connell. I’m sorry the others were being so stupid about it. They just think Pat is great because he has these parties in his house sometimes. Apparently if you have house parties it’s okay to mess with people, I don’t know.

It really hurt. What he did.

Connell says nothing then. He just kneads the steering wheel with his hands. He looks down into his lap, and exhales quickly, almost like a cough. Sorry, he says. Then he starts the car. They drive for a few minutes in silence, Marianne cooling her forehead against the window.

Do you want to come back to my house for a bit? he says.

Is Lorraine not there?

He shrugs. He taps his fingers on the wheel. She’s probably in bed already, he says. I mean we could just hang out for a bit before I drop you home. It’s okay if you don’t want to.

What if she’s still up?

Honestly she’s pretty relaxed about this sort of stuff anyway. Like I really don’t think she would care.

Marianne stares out the window at the passing town. She knows what he’s saying: that he doesn’t mind if his mother finds out about them. Maybe she already knows.

Lorraine seems like a really good parent, Marianne remarks.

Yeah. I think so.

She must be proud of you. You’re the only boy in school who’s actually turned out well as an adult.

Connell glances over at her. How have I turned out well? he says.

What do you mean? Everyone likes you. And unlike most people you’re actually a nice person.

He makes a facial expression she can’t interpret, kind of raising his eyebrows, or frowning. When they get back to his house the windows are all dark and Lorraine is in bed. In Connell’s room he and Marianne lie down together whispering. He tells her that she’s beautiful. She has never heard that before, though she has sometimes privately suspected it of herself, but it feels different to hear it from another person. She touches his hand to her breast where it hurts, and he kisses her. Her face is wet, she’s been crying. He kisses her neck. Are you okay? he says. When she nods, he smooths her hair back and says: It’s alright to be upset, you know. She lies with her face against his chest. She feels like a soft piece of cloth that is wrung out and dripping.

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