This Is My America(14)



“What about Jamal?” she says. “He told me he didn’t want to talk about his dad. That your mom wouldn’t allow it. You did it anyway.”

“Because I’ve tried everything else to help my dad. What do I have left to lose? I thought I could get Jamal to talk about it, but he wouldn’t.” I don’t know why I’m telling her all this. Maybe because Jamal won’t talk to me. Maybe because Angela knows how to woo people with her reporter skills to get answers. She set me up for that one.

“Do you really have evidence for your dad? Jamal said it’s bullshit.”

“They never found the murder weapon, and there were no witnesses. There should have been reasonable doubt, but the all-white jury felt otherwise.”

“Do you know much about the missing gun?”

“No.” I pause at the way she asked the question. Like she’s setting me up to give her more information than I planned. I shake off overthinking things. “But I know my dad is innocent. I’m a team player, I swear, and I’ve worked hard to be in the running for editor. But my dad’s in the last year of his life—I was desperate.”

Angela pauses. Her shoulders settle and she lowers her voice. “You think you’re a team player?”



“I am.” I put my hands down in front of me. “I earned the right to be editor. Giving it to anyone else would be wrong, and you know it.”

“Prove it. Prove you can work with me on something, and you won’t go off on your own. You think you can do it, without telling anyone?”

“Of course. I’m loyal.” I know if I work well with Angela, she’ll put in a good word with Mr. Kaine, then secure more votes.

“All right. I’ve got an exposé that’s good for ‘Tracy’s Corner.’?” Angela sticks her hand out. “Meet me here tomorrow at eight a.m.”

I agree. Then turn to see if I can catch the last half of my first-period class. Angela calls out when I reach the door.

“Don’t tell Jamal we talked.”

I nod, even though her request seems strange. Angela’s always been a straight shooter, so why do I get the sense she might need me as much as I need her?





FLESH AND BLOOD


After school, I walk alone to Herron Media, avoiding eye contact with everyone I pass. Still, I can’t help but notice an older white lady pull her purse closer as I walk by her on the sidewalk. Her action sends my mind spiraling on high alert to the people around me. Every time there’s a whisper in the ear, a stare in my direction, a flinch from someone passing me. A million subtleties that let me know my place. Branded as an outsider more than seven years ago, like each member of my family. We don’t belong. The Davidsons’ office was in this same business complex, and although Mama and Jamal kept ties, I’ve never felt we were accepted back in the community. Each visit is a reminder that life changed for us.

I snake through the crowd of passersby, turning my head, hoping their focus will be on my big black natural curls that take up their own space, rather than on my face. I used to love having Daddy’s uncharacteristically slender nose, full lips, bright white teeth, and wide smile that used to draw people in, always catching attention. But now when people see me, they perceive something different. Something appalling. Layered with their unforgiving small-town judgment about the family of someone on death row.



If Daddy were here, he’d say, Chin up. Nothing to be ashamed of. His words fill my head like music as I enter the administrative building for Herron Media and wave to Valerie at the reception desk before heading to the staircase.

I make my way upstairs to the third door on the right, the production room. It’s always mesmerizing stepping into the audio room where the commercials and voice-overs are made. The buttons and displays blink like flashing lights in the sky. When the door swings open, my mouth drops.

Jamal freezes, stopping his rubbing all up on Angela, who’s sitting on top of the audio table. Her blond waves are all mussed up, the audio control’s surface out of place, tucked to the side. Although Mr. Herron’s cool for white folk in Texas, he ain’t that cool.

“Tracy.” Angela pushes away from Jamal, fixing her skirt and wiping her lips.

This has to be Jamal’s greatest flaw: a girlfriend for every day of the week and of every race. He doesn’t think twice about who he’s talking to. Society’s double standard. Jamal knows he’d give me a hard time if things were turned around.



“Hmm.” I scowl and raise an eyebrow. “How long’s this been going on?”

Jamal doesn’t answer, so I turn to Angela. “And shouldn’t you be at work?”

“Call me when you’re off.” Angela touches Jamal’s neck, and he covers her hand with his. It’s intimate. I want them to be embarrassed they were caught. Just earlier today she proposed we work on some exposé. Her last words were don’t tell Jamal. What is she up to?

Angela walks past me, all carefree, acting like she doesn’t hold my future as an editor in her hands. Is she playing games with me? And the way she was all up in Chris’s face at school—arguing over something, then making up with him—only to mess with Jamal hours later? She’s got no concern for what kind of harm she could do to my family if Jamal lost his job. This is probably some kind of thrilling dare for her, seeing how far she can take things without getting caught. Then she’ll joke and tell her friends as they laugh at how brave she was for hooking up with Jamal, the son of a killer. How stupid was I to think I could trust her to help me lock down my editor position for next year.

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