The Guest List(5)

I can feel wet hanks of hair stuck to my forehead, while the rest of it seems to have lifted into a huge tangled cloud around my head. I can only imagine how I’ll look to Jules and Will and the rest of them, when we finally arrive.

‘Cormorant!’ Charlie shouts, pointing. He’s trying to distract me from my nausea, I know. I feel like one of the children being taken to the doctor’s for an injection. But I follow his finger to a sleek dark head, emerging from the waves like the periscope of a miniature submarine. Then it swoops down beneath the surface, a swift black streak. Imagine feeling so at home in such hostile conditions.

‘I saw something in the article specifically about cormorants,’ Charlie says. He picks up his phone again. ‘Ah, here. They’re particularly common along this stretch of coast, apparently.’ He puts on his schoolteacher voice: ‘“the cormorant is a bird much maligned in local folklore.” Oh dear. “Historically, the bird has been represented as a symbol of greed, bad luck and evil.”’ We both watch as the cormorant emerges from the water again. There’s a tiny fish in its sharp beak, a brief flash of silver, before the bird opens its gullet and swallows the thing whole.

My stomach flips. I feel as though it’s me that has swallowed the fish, quick and slippery, swimming about in my belly. And as the boat begins to list in the other direction, I lurch to the side and throw up my cream tea.





JULES


The Bride


I’m standing in front of the mirror in our room, the biggest and most elegant of the Folly’s ten bedrooms, naturally. From here I only need to turn my head a fraction to look out through the windows towards the sea. The weather today is perfect, the sun shimmering off the waves so brightly you can hardly look at it. It bloody well better stay like this for tomorrow.

Our room is on the western side of the building and this is the westernmost island off this part of the coast, so there is nothing, and no one, for thousands of miles between me and the Americas. I like the drama of that. The Folly itself is a beautifully restored fifteenth-century building, treading the line between luxury and timelessness, grandeur and comfort: antique rugs on the flagstone floors, claw-footed baths, fireplaces lit with smouldering peat. It’s large enough to fit all our guests, yet small enough to feel intimate. It’s perfect. Everything is going to be perfect.

Don’t think about the note, Jules.

I will not think about the note.

Fuck. Fuck. I don’t know why it’s got to me so much. I have never been a worrier, the sort of person who wakes up at three in the morning, fretting. Not until recently anyway.

The note was delivered through our letter box three weeks ago. It told me not to marry Will. To call it off.

Somehow the idea of it has gained this dark power over me. Whenever I think about it, it gives me a sour feeling in the pit of my stomach. A feeling like dread.

Which is ridiculous. I wouldn’t normally give a second thought to this sort of thing.

I look back at the mirror. I’m currently wearing the dress. The dress. I thought it important to try it on one last time, the eve of my wedding, to double-check. I had a fitting last week but I never leave anything to chance. As expected, it’s perfect. Heavy cream silk that looks as though it has been poured over me, the corsetry within creating the quintessential hourglass. No lace or other fripperies, that’s not me. The nap of the silk is so fine it can only be handled with special white gloves which, obviously, I’m wearing now. It cost an absolute bomb. It was worth it. I’m not interested in fashion for its own sake, but I respect the power of clothes, in creating the right optics. I knew immediately that this dress was a queenmaker.

By the end of the evening the dress will probably be filthy, even I can’t mitigate that. But I will have it shortened to just below the knee and dyed a darker colour. I am nothing if not practical. I have always, always got a plan; have done ever since I was little.

I move over to where I have the table plan pinned to the wall. Will says I’m like a general hanging his campaign maps. But it is important, isn’t it? The seating can pretty much make or break the guests’ enjoyment of a wedding. I know I’ll have it perfect by this evening. It’s all in the planning: that’s how I took The Download from a blog to a fully fledged online magazine with a staff of thirty in a couple of years.

Most of the guests will come over tomorrow for the wedding, then return to their hotels on the mainland – I enjoyed putting ‘boats at midnight’ on the invites in place of the usual ‘carriages’. But our most important invitees will stay on the island tonight and tomorrow, in the Folly with us. It’s a rather exclusive guest list. Will had to choose the favourites among his ushers, as he has so many. Not so difficult for me as I’ve only got one bridesmaid – my half-sister Olivia. I don’t have many female friends. I don’t have time for gossip. And groups of women together remind me too much of the bitchy clique of girls at my school who never accepted me as their own. It was a surprise to see so many women on the hen do – but then they were largely my employees from The Download – who organised it as a not entirely welcome surprise – or the partners of Will’s mates. My closest friend is male: Charlie. In effect, this weekend, he’ll be my best man.

Charlie and Hannah are on their way over now, the last of tonight’s guests to arrive. It will be so good to see Charlie. It feels like a long time since we hung out as adults, without his kids there. Back in the day we used to see each other all the time – even after he’d got together with Hannah. He always made time for me. But when he had kids it felt like he moved into that other realm: one in which a late night means 11 p.m., and every outing without kids has to be carefully orchestrated. It was only then that I started to miss having him to myself.