Sorrow and Bliss(2)



I have known since I was young that, although we are so similar, people think Ingrid is more beautiful than I am. I told my father once. He said, ‘They might look at her first. But they’ll want to look at you for longer.’

*

In the car on the way home from the last party Patrick and I went to, I said, ‘When you do that pointing thing it makes me want to shoot you with an actual gun.’ My voice was dry and mean and I hated it – and Patrick when he said, ‘Great, thanks’ with no emotion at all.

‘I don’t mean in the face. More like a warning shot in the knee or somewhere that you could still go to work.’

He said good to know and put our address into Google Maps.

We had lived in the same house in Oxford for seven years. I pointed that out. He didn’t say anything and I looked across at him in the driver’s seat, waiting calmly for a break in the traffic. ‘Now you’re doing the jaw thing.’

‘I know what, Martha. How about we don’t talk until we get home.’ He took his phone out of the bracket and closed it silently into the glovebox.

I said something else, then leaned forward and put the heater on to its highest setting. As soon as the car became stifling, I turned it off and lowered my window all the way. It was crusted with ice and made a scraping noise as it went down.

It used to be a joke between us, that in everything I swing between extremes and he lives his entire life on the middle setting. Before I got out, I said, ‘That orange light is still on.’ Patrick told me he was planning to get oil the next day, turned off the car and went into the house without waiting for me.

*

We took the house on a temporary lease, in case things didn’t work out and I wanted to go back to London. Patrick had suggested Oxford because it is where he went to university and he thought that, compared to other places, commuter towns in the home counties, I might find it easier to make friends. We extended the lease by six months, fourteen times, as though things could not work out at any moment.

The letting agent told us it was an Executive Home, in an Executive Development, and therefore perfect for us – even though neither of us are executives. One of us is a consultant specialist in intensive care. One of us writes a funny food column for Waitrose magazine and went through a period of Googling ‘Priory clinic how much per night?’ when her husband was at work.

The Executive nature of it manifested, in physical terms, as expanses of taupe carpet and a multitude of non-standard sockets and, in personal terms, a permanent sense of unease whenever I was there alone. A box room on the top floor was the only room that did not make me feel like there was someone behind me because it was small and there was a plane tree out the window. In summer it obscured the view of identical Executive Homes on the other side of the cul-de-sac. In autumn, dead leaves blew inside and mitigated the carpet. The box room was where I worked even though, as I was often reminded by strangers in social settings, writing is something I can do anywhere.

The editor of my funny food column would send me notes saying ‘not getting this ref’ and ‘rephrase if poss’. He used Tracked Changes. I pressed Accept, Accept, Accept. After he had taken out all the jokes, it was just a food column. According to LinkedIn, my editor was born in 1995.

*

The party we were coming home from was for my fortieth birthday. Patrick planned it because I had told him that I wasn’t in the right place, re celebrating.

He said, ‘We have to attack the day.’

‘Do we.’

We listened to a podcast on the train once, sharing the same headphones. Patrick had folded his jumper into a pillow so I could put my head on his shoulder. It was the Archbishop of Canterbury on Desert Island Discs. He told a story about losing his first child in car crash a long time ago.

The presenter asked him how he coped with it now. He said that when it comes to the anniversary, Christmas, her birthday, he had learned that you have to attack the day, ‘so it doesn’t attack you.’

Patrick seized on the principle. He started saying it all the time. He said it while he was ironing his shirt before the party. I was on our bed watching Bake Off on my laptop, an old episode I had seen before. A contestant takes someone else’s Baked Alaska out of the fridge and it melts in the tin. It made the front page of the papers: a saboteur in the Bake Off tent.

Ingrid texted me when it first aired. She said she would go to her grave knowing that Baked Alaska had been taken out on purpose. I said I was on the fence. She sent me all the cake emojis and the police car.

When he had finished ironing, Patrick came and sat seminext to me on the bed and watched me watching. ‘We have to –’

I hit the space bar. ‘Patrick, I don’t really think we should co-opt Bishop Whoever in this case. It’s only my birthday. Nobody has died.’

‘I was just trying to be positive.’

‘Okay.’ I hit the space bar again.

After a moment he told me it was nearly quarter to. ‘Should you start getting ready? I’d like to be the first ones there. Martha?’

I closed the computer. ‘Can I wear what I’m wearing?’ Leggings, a Fair Isle cardigan, I can’t remember what underneath. I looked up and saw that I had hurt him. ‘I’m sorry, I’m sorry, I’m sorry. I’ll get changed.’

Patrick had hired the upstairs part of a bar we used to go to. I did not want to be the first ones there, unsure if I should sit or stand while I waited for people to arrive, wondering if anybody was going to, then feeling awkward on behalf of the person who had the misfortune of being first. I knew that my mother would not be there because I told Patrick not to invite her.

Meg Mason's Books