My Heart Is a Chainsaw (The Lake Witch Trilogy #1)(14)



It’s one of those cardboard cutout things like for coin collections, except the coins are the graduates’ faces, and each of their faces is set into an actual Henderson Hawk, brown feathers and all, the scroll at the bottom promising they’re all going to soar into the future or take the snake by the tail or have a bird’s-eye view of history, Jade forgets all the stupid embarrassing hawk stuff.

But yeah, “I’m back, bitches,” she says out loud to the door closing behind Rica and Greta.

It’s punctuated by a toilet flushing.

Jade holds the eyeliner a smidge from her lower lid, waiting for a pair of combat boots to step down from a toilet, followed by a dark robe slowly descending over the ankles, but instead — Oh, shit, Jade nearly sputters out.

This is why no one cares that Suicide Girl is stalking the halls again. This is why the count of graduating seniors is off by one.

Jade’s eyeliner pencil goes clattering down into the sink, leaving slashes and dots of black in that porcelain whiteness.

It’s from who’s pulling the stall door in, stepping around it, gliding effortlessly to the sink right by Jade’s. She’s nobody from Jade’s past, nobody Jade recognizes at all except by stature, by type, by bearing. If this girl had an aura, it would be “princess,” but the cut of her eyes is closer to “warrior,” the kind of face that’s just made to come alive when a spatter of blood mists across those perky, flawless, no-acne cheeks.

Jade isn’t sure whether this girl actually reaches forward to turn the water on or if the water, knowing it needs to be on to better kiss these hands, just comes on all on its own. For half an accidental moment, Jade catches herself checking the air around them for cartoon bluebirds carrying a gossamer wrap.

“Oh, hey,” the girl says as easy as anything, of course not offering to shake hands—this is a bathroom—“I’m Letha.

Letha Mondragon?”

The question mark hanging between them now translates out as You’ve heard of me, yes? but not in an off-putting way, not in a way that’s assuming anything.

Jade feels her face flushing warm in response. It’s maybe the first time in her life that’s ever actually happened to her.

She wonders if it shows on her Indian skin or not, and then she’s wondering if this “Letha Mondragon,” being Black, is even accustomed to reading people’s emotional states from the blood rushing to the surface of their skin.

In the same instant she decides this is racist as hell, gulps it down as best she can. All the same, she still hasn’t managed to look away from this Letha Mondragon’s reflection in her own mirror, has she?

It’s not because she’s Black, either. Black isn’t completely unheard of in Idaho, though it is less and less heard of the higher the elevation gets. No, the reason she’s caught in this vortex of staring, it’s… is it Letha Mondragon’s hair?

It’s not just glamorous and perfect, flowing down her back but kind of spiral-curled too, it’s, it’s—oh, Jade knows what it is, yeah, of course: online at four in some bleary morning, lost in the wishing well of her phone, she’d chanced onto a smuggled-out snapshot from the set of a shampoo commercial.

One of those ones where the model’s long luxuriant locks are cascading in slow-motion waves all around her, a silky bronze extension of her dopey smile.

What Jade had always assumed had to be strategically-placed fans blowing and lifting all these models’ too-beautiful hair turned out to be a faceless green humanoid—someone in a skinhugging bright green turtleneck and thin green gloves, with green nylon pulled tight over their head so they can disappear in the camera’s eye. So they can guide the model’s hair up like this, and like that.

Letha Mondragon must have a whole crew of those green humanoids following her around, always underfoot, lifting her hair up, around, everywhere.

And, the thing is? Jade can tell by the polite way Letha’s just waiting for Jade’s response, lips pursed, eyes big, hands sudsing up, that she doesn’t see the little green people. She isn’t even aware of them.

“And you are?” she says to Jade, her face hopeful for some interaction but not being pushy about it. “I don’t think I’ve seen you here before, have I?”

Jade makes herself lean back into the mirror with her face, her numb fingers grubbing the eyeliner pencil up, fully aware now of the SKANK STATION carved above her. And, as if her own grudging awareness of that heading has made it blink, Letha Mondragon’s eyes flick up to it and then down just as fast, almost demurely, and now it’s not just Jade’s face glowing with heat, with awareness, with knowledge, with possibility, it’s—and she could never say this out loud, not in a thousand-million years—it’s her heart.

Letha Mondragon is embarrassed, not of the profanity, but that it even has to exist. Because that’s the kind of pure she is.

That’s the only answer here. She probably, Jade knows—no, she surely already has a job volunteering somewhere in town.

Not a church, but that’s just because churches, in spite of their own good intentions, have their own bad history. And that’s not for one such as Letha Mondragon. She would never sully herself that way, even by association. No, she’s probably volunteering… not at the high school library, Mrs. Jennings is a famous drunk and smokes menthols besides, and no candy-striping at Doc Wilson’s either, as handsy as he gets late in the afternoon, and there’s no thrift store where Letha could fold third-hand clothes after school, no animal shelter she can bottle-feed kittens at. Wherever it is she’s doing her good and necessary work, she walks there with purpose, Jade can tell, her books pressed tight to her chest, but Jade can see under that as well: Letha Mondragon is volunteering to help, yes, that’s most important, of course of course, but she’s also volunteering because, if she weren’t busy, then she wouldn’t have any acceptable excuse for not showing up when Randi Randall’s parents are gone for the weekend. If she wasn’t already busy, she’d have zero reason not to step down into Bethany Manx’s famously-smoky basement whenever Principal Manx is at a conference.

Stephen Graham Jones's Books